REFERENCE CODE
ES/NA/AGN/F526
TITLE
Pedro de Felipe
START & COMPLETION DATES
1976-2013
DESCRIPTION LEVEL
Fond
VOLUME
4 boxes
1 F.ES.
PRODUCER
Pedro de Felipe Alayeto
BIOGRAPHICAL NOTE
Docente y compositor navarro nacido en Murchante el 6 de junio de 1938. Falleció en 2013.
Estudió en el Conservatorio de Zaragoza, donde obtuvo el título de Piano. En la Cátedra Félix Huarte del Conservatorio de Pamplona estudió Gregoriano.
Entre 1973 y 1984 dirigió la Coral Nora de Sangüesa y en la misma localidad fue director del Conservatorio Elemental Juan Francés de Iribarren. Inaugura esta segunda etapa de esta coral con actuaciones en Pamplona, Tafalla, Estella, Etxarri Aranatz, Sangüesa, Murchante, Isaba, etc. En 1973 asiste al Certamen de Tolosa. Bajo su batuta obtiene en 1975 el Primer Premio Nacional del VI Festival de Masas Corales "Canal de las Bardenas". En el concierto de Isaba de este mismo año presentó melodías de los siglos XV y XVI, de Rivera, Anónimos, Vázquez, Cancionero de Upsala, O. de Olaso, etc. En la 2ª parte presentó melodías del P. Donostia, José de Olaizola, Beobide e I. Altuna. En 1985 fue nombrado catedrático de Composición e Instrumentación del Conservatorio Superior Pablo Sarasate de Pamplona. En este mismo centro fue profesor de Contrapunto y Fuga.
Escribió varios volúmenes de utilidad para los conservatorios, como Dictados metódicos y rítmicos y Lecciones a primera vista.
Como compositor tiene varias obras vocales: Sentimientos, con textos de León Felipe (1976) y Cinco canciones para solos, recitativos y coros. Entre su producción instrumental destaca la cantata Viva la música (1975). También es autor de un Tratado de contrapunto.
Felipe Alayeto, Pedro de, por Karlos Sánchez Ekiza (Consultado: 29/04/2020).
ARCHIVAL HISTORY
El fondo ingresó en el Archivo General de Navarra en 2020, formando parte de la transferencia del Conservatorio Profesional de Música Pablo Sarasate.
CONTENTS
El fondo está formado por las composiciones, manuscritas e impresas, que Pedro de Felipe realizó a lo largo de su vida. Se trata de obras genuinamente suyas, armonizaciones y trabajos de investigación o transcripción de otros autores. Además tiene varias obras pedagógicas.
TERMS AND CONDITIONS OF ACCESS AND REPRODUCTION
The documentation is accessible to the public in person at the facilities of the Royal and General Archive of Navarre.
Consultation and reproduction are subject to the provisions of Resolution 373/2013 of 9 December, of the General Director of Culture - Institución Príncipe de Viana, approving the Internal Rules for Access, Consultation and Reproduction of Documents from the Archivo Real y General de Navarra.
The reproduction of works that are not in the public domain shall only be possible when this is for the private use of the person making the request and solely for research purposes, in accordance with the provisions of Royal Legislative Decree 1/1996 of 12 April approving the Revised Text of the Intellectual Property Law, regularising, clarifying and harmonising the legal provisions in force on the matter.
Article 10. Original Titles and Works.
1. All original literary, artistic and scientific creations expressed by any means or media, tangible or intangible, currently known or that will be invented in the future are protected by copyright. These include:
- Books, leaflets, forms, correspondence, writing, speeches and discourses, lectures, forensic reports, chair speeches and any other work of the same nature.
- Musical compositions, with or without lyrics.
- Dramatic works, musicals, choreography, mime and, plays in general.
- Cinematographic works and any other audiovisual works.
- Sculptures; drawings, paintings, engravings, lithography; cartoons and comics; their preparatory work and sketches, and other plastic work, whether applied or not.
- Projects, drawings, models and designs of architectural and engineering works.
- Graphics, maps and designs relating to topography, geography and science in general.
- Photographic works and other procedures that are similar to photography.
- Computer software.
2. The title of a work will be protected as part of the work, provided that it is original.
Article 37. Reproduction, lending and consultation of works through specialised terminals in certain establishments.
1. Copyright holders cannot object to the reproduction of works, when this is a not-for-profit activity by museums, libraries, record libraries, film libraries, newspaper libraries, publicly-owned archives or archives that are part of cultural or scientific institutions and provided that the reproduction is solely made for research or conservation purposes.
2. Likewise, museums, archives, libraries, newspaper libraries, record libraries and film libraries that are either publicly owned or are part of not-for-profit organisations of general cultural, scientific or educational interest integrated in the Spanish educational system, shall not require the authorisation of the copyright holders for any loans made.
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Furthermore, due to the uniqueness of the documents in the fond, consultation and reproduction will be determined by Constitutional Law 1/1982 of 5 May on the Protection of the Civil Right of Honour, Personal and Family Privacy and Self-image.
Article Four.
One. The exercise of the actions relating to the civil protection of the right to Honour, Privacy and Self-image of a deceased person corresponds to the person appointed for this purpose in the will. A legal person may be appointed for this purpose.
Two. Should there be no appointment or if the person named is deceased, then the spouse, descendants, ascendants and siblings of the person affected and who were living at the time of his/her death, shall have the right to seek protection.
Three. In the absence of all of these, the exercise of protection actions shall correspond to the Public Prosecutor, who may act ex-officio at the request of the person in question, provided that no more than eighty years have elapsed since the death of the person concerned. The same period of time shall be observed when the exercise of the aforementioned actions corresponds to a legal person appointed in the will.
Four. In the event of unlawful interference in the rights of the victims of a crime, as referred to in section eight of article seven, the party injured or offended by the offence committed shall have the right to exercise the protection actions, regardless of whether or not the said party brought the criminal or civil action in the preceding criminal proceedings. In any event, the Public Prosecutor will also be entitled to do so. In the event of death, the parties shall abide by the provisions of the sections above. (…)
Article seven.
The following shall be considered unlawful interference in the area of protection delimited in article two of this Law:
(…)
Three. The disclosure of facts relating to the private life of a person or family that affect its reputation and good name, as well as the disclosure or publication or the contents of letters, memoirs or other personal writing of an intimate nature.
Four. The disclosure of private details about a person or family, obtained through the professional or official activity of the person disclosing them. (…)
Seven. The accusation of deeds or showing value judgements through actions or expressions that, in any way, harm the dignity of the other person, by undermining his/her reputation or attacking his/her self esteem. (…)
Article eight.
One. In general, actions that are authorised or agreed by the competent Authority in accordance with the Law shall not be considered to be unlawful interference, or when a relevant historical, scientific or cultural interest is predominant.
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DESCRIPTIVE INSTRUMENTS
Inventory
RELATED DESCRIPTIVE UNITS
Conservatorio Pablo Sarasate
Fernando Remacha Villar
PUBLICATIONS NOTE
- Sagaseta Aríztegui, Aurelio. "Felipe Alayeto, Pedro de". En: Casares, E. (dir.). Diccionario de la Música Española e Hispanoamericana. Tomo 5. Madrid: Sociedad General de Autores y Editores, 1999. P. 17.
News of the donation
DESCRIPTORS
Música, Siglo XX, Compositor/a, Investigador/a, Profesor/a, Director/a de coro, Música coral.
