Lobón, Almudena

En 1982, decide dedicar su experiencia a la formación de bailarines, abriendo en Pamplona su propio centro, la Escuela Profesional de Danza Almudena Lobón. Su labor pedagógica ha sido reconocida a través de los premios obtenidos por el alumnado en concursos nacionales e internacionales de danza, como el Gran Prix de Lausanne, el Gran Premio Montepríncipe, el Concurso Internacional de Danza Ciudad de Zaragoza o el Concurso Nacional de Danza de Torrelavega, entre otros. Ha sido invitada a impartir clases magistrales por varias entidades, entre ellas el Real Conservatorio de Danza de Madrid.

A lo largo de su actividad, Almudena Lobón ha puesto en escena varios ballets del Repertorio Clásico como Coppelia, La Bayadére, y El Lago de los Cisnes, Giselle, La bella durmiente del bosque, Cinderella, Don Quijote, La Sylphide, todos ellos en su versión completa.

Entre sus trabajos coreográficos sobresalen piezas para conciertos de Año Nuevo en el Teatro Gayarre de Pamplona y en el Baluarte, con orquestas en directo, montajes para óperas y zarzuelas (Rigoletto, El asombro de Damasco, Los Pescadores de Perlas, etc.) y para los conciertos pedagógicos de la Quincena Musical de San Sebastián (junto a OPUS III Percussion Ensamble, en el Kursaal).

Como complemento a la formación académica, Almudena Lobón crea en 1999 el Joven Ballet de Almudena Lobón, pensado como “laboratorio de prácticas” para su alumnado. En 2004 la compañía se profesionaliza dando vida a ALDANZA, Almudena Lobón Cía. de Danza, que se desenvuelve entre danza clásica, neoclásica y contemporánea.

En 2013 es llamada a participar en el proyecto Imposible Danza, formación que reúne a antiguos bailarines de la Compañía Nacional de Danza.

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Article 10. Original Titles and Works.

1. All original literary, artistic and scientific creations expressed by any means or media, tangible or intangible, currently known or that will be invented in the future are protected by copyright. These include:

1. Books, leaflets, forms, correspondence, writing, speeches and discourses, lectures, forensic reports, chair speeches and any other work of the same nature.
2. Musical compositions, with or without lyrics.
3. Dramatic works, musicals, choreography, mime and, plays in general.
4. Cinematographic works and any other audiovisual works.
5. Sculptures; drawings, paintings, engravings, lithography; cartoons and comics; their preparatory work and sketches, and other plastic work, whether applied or not.
6. Projects, drawings, models and designs of architectural and engineering works.
7. Graphics, maps and designs relating to topography, geography and science in general.
8. Photographic works and other procedures that are similar to photography.
9. Computer software.

2. The title of a work will be protected as part of the work, provided that it is original.

Article 37. Reproduction, lending and consultation of works through specialised terminals in certain establishments.

1. Copyright holders cannot object to the reproduction of works, when this is a not-for-profit activity by museums, libraries, record libraries, film libraries, newspaper libraries, publicly-owned archives or archives that are part of cultural or scientific institutions and provided that the reproduction is solely made for research or conservation purposes.

2. Likewise, museums, archives, libraries, newspaper libraries, record libraries and film libraries that are either publicly owned or are part of not-for-profit organisations of general cultural, scientific or educational interest integrated in the Spanish educational system, shall not require the authorisation of the copyright holders for any loans made.

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Article Four.

One. The exercise of the actions relating to the civil protection of the right to Honour, Privacy and Self-image of a deceased person corresponds to the person appointed for this purpose in the will. A legal person may be appointed for this purpose.

Two. Should there be no appointment or if the person named is deceased, then the spouse, descendants, ascendants and siblings of the person affected and who were living at the time of his/her death, shall have the right to seek protection.

Three. In the absence of all of these, the exercise of protection actions shall correspond to the Public Prosecutor, who may act ex-officio at the request of the person in question, provided that no more than eighty years have elapsed since the death of the person concerned. The same period of time shall be observed when the exercise of the aforementioned actions corresponds to a legal person appointed in the will.

Four. In the event of unlawful interference in the rights of the victims of a crime, as referred to in section eight of article seven, the party injured or offended by the offence committed shall have the right to exercise the protection actions, regardless of whether or not the said party brought the criminal or civil action in the preceding criminal proceedings. In any event, the Public Prosecutor will also be entitled to do so. In the event of death, the parties shall abide by the provisions of the sections above. (…)

Article seven.

The following shall be considered unlawful interference in the area of protection delimited in article two of this Law:

(…)

Three. The disclosure of facts relating to the private life of a person or family that affect its reputation and good name, as well as the disclosure or publication or the contents of letters, memoirs or other personal writing of an intimate nature.

Four. The disclosure of private details about a person or family, obtained through the professional or official activity of the person disclosing them. (…)

Seven. The accusation of deeds or showing value judgements through actions or expressions that, in any way, harm the dignity of the other person, by undermining his/her reputation or attacking his/her self esteem. (…)

Article eight.

One. In general, actions that are authorised or agreed by the competent Authority in accordance with the Law shall not be considered to be unlawful interference, or when a relevant historical, scientific or cultural interest is predominant.

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