REFERENCE CODE
ES/NA/AGN/F486
TITLE
Alfredo Sanzol
START & COMPLETION DATES
1999-2018
DESCRIPTION LEVEL
Fond
VOLUME
18 boxes
PRODUCER
Alfredo Sanzol Sanz
BIOGRAPHICAL NOTE
El autor y director de teatro Alfredo Sanzol nace en Madrid en 1972 y se traslada con su familia a vivir a Pamplona en 1976. Se tituló en Dirección de Escena por la Real Escuela Superior de Arte Dramático y se licenció en Derecho por la Universidad de Navarra.
Su obra se caracteriza por el uso del sentido del humor y la búsqueda de un estilo formal propio con el que plantea los problemas de su biografía personal y social. Ha estrenado sus obras en el Centro Dramático Nacional, el Teatro de la Abadía, la sala Cuarta Pared, el Festival Grec, el Teatro Gayarre o el Teatre Lliure.
Entre sus obras más conocidas se encuentran Sí, pero no lo soy (2008), Risas y Destrucción (2007), Días Estupendos (2010), Delicadas (2010), En la Luna (2011), Aventura (2012) y La Calma Mágica (2014). Ha dirigido y adaptado clásicos como Edipo Rey (2015) de Sófocles, Esperando a Godot (2013) de Samuel Beckett, La Importancia de llamarse Ernesto (2012) de Oscar Wilde o La cabeza del Bautista (2009) de Valle Inclán.
Sanzol ha impartido cursos y talleres en La Casa de América, La Casa Encendida, El Teatro Nacional de Bogotá, Matadero-Madrid, La Sala Beckett, La Escuela Navarra de Teatro, la Sociedad General de Autores (SGAE), el Festival de Teatro Clásico de Olite, La ECAM, el Centro Dramático Nacional, Juneda inCursió, el Teatro de la Abadía/Teatro de la Ciudad. En 2014 dirigió el II Laboratorio de Escritura Teatral de la Fundación SGAE, y creó, junto a Miguel del Arco y Andrés Lima, el Teatro de la Ciudad.
Premios:
Premio Max al Mejor Autor:
- 2011, por Delicadas
- 2012, por Días Estupendos
- 2013, por En la Luna
Premio Max al Mejor Espectáculo Teatral 2013, por En la Luna
Premio Max al Mejor Espectáculo Teatral 2019, por La ternura
Premio Ceres-Festival de Mérida al Mejor Autor 2012, por En la Luna
Premio de Cultura de la Comunidad de Madrid 2016
Premio Nacional de Literatura Dramática 2017, por La respiración
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ARCHIVAL HISTORY
El fondo de Alfredo Sanzol ingresó, por donación, en el Archivo Real y General de Navarra en abril de 2019.
CONTENTS
El contenido del fondo representa la actividad de Alfredo Sanzol como ayudante de dirección, autor y director, a través de las diferentes producciones en las que ha participado.
TERMS AND CONDITIONS OF ACCESS AND REPRODUCTION
The documentation is accessible to the public in person at the facilities of the Royal and General Archive of Navarre.
Consultation and reproduction are subject to the provisions of Resolution 373/2013 of 9 December, of the General Director of Culture - Institución Príncipe de Viana, approving the Internal Rules for Access, Consultation and Reproduction of Documents from the Archivo Real y General de Navarra.
The reproduction of works that are not in the public domain shall only be possible when this is for the private use of the person making the request and solely for research purposes, in accordance with the provisions of Royal Legislative Decree 1/1996 of 12 April approving the Revised Text of the Intellectual Property Law, regularising, clarifying and harmonising the legal provisions in force on the matter.
Article 10. Original Titles and Works.
1. All original literary, artistic and scientific creations expressed by any means or media, tangible or intangible, currently known or that will be invented in the future are protected by copyright. These include:
- Books, leaflets, forms, correspondence, writing, speeches and discourses, lectures, forensic reports, chair speeches and any other work of the same nature.
- Musical compositions, with or without lyrics.
- Dramatic works, musicals, choreography, mime and, plays in general.
- Cinematographic works and any other audiovisual works.
- Sculptures; drawings, paintings, engravings, lithography; cartoons and comics; their preparatory work and sketches, and other plastic work, whether applied or not.
- Projects, drawings, models and designs of architectural and engineering works.
- Graphics, maps and designs relating to topography, geography and science in general.
- Photographic works and other procedures that are similar to photography.
- Computer software.
2. The title of a work will be protected as part of the work, provided that it is original.
Article 37. Reproduction, lending and consultation of works through specialised terminals in certain establishments.
1. Copyright holders cannot object to the reproduction of works, when this is a not-for-profit activity by museums, libraries, record libraries, film libraries, newspaper libraries, publicly-owned archives or archives that are part of cultural or scientific institutions and provided that the reproduction is solely made for research or conservation purposes.
2. Likewise, museums, archives, libraries, newspaper libraries, record libraries and film libraries that are either publicly owned or are part of not-for-profit organisations of general cultural, scientific or educational interest integrated in the Spanish educational system, shall not require the authorisation of the copyright holders for any loans made.
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Furthermore, due to the uniqueness of the documents in the fond, consultation and reproduction will be determined by Constitutional Law 1/1982 of 5 May on the Protection of the Civil Right of Honour, Personal and Family Privacy and Self-image.
Article Four.
One. The exercise of the actions relating to the civil protection of the right to Honour, Privacy and Self-image of a deceased person corresponds to the person appointed for this purpose in the will. A legal person may be appointed for this purpose.
Two. Should there be no appointment or if the person named is deceased, then the spouse, descendants, ascendants and siblings of the person affected and who were living at the time of his/her death, shall have the right to seek protection.
Three. In the absence of all of these, the exercise of protection actions shall correspond to the Public Prosecutor, who may act ex-officio at the request of the person in question, provided that no more than eighty years have elapsed since the death of the person concerned. The same period of time shall be observed when the exercise of the aforementioned actions corresponds to a legal person appointed in the will.
Four. In the event of unlawful interference in the rights of the victims of a crime, as referred to in section eight of article seven, the party injured or offended by the offence committed shall have the right to exercise the protection actions, regardless of whether or not the said party brought the criminal or civil action in the preceding criminal proceedings. In any event, the Public Prosecutor will also be entitled to do so. In the event of death, the parties shall abide by the provisions of the sections above. (…)
Article seven.
The following shall be considered unlawful interference in the area of protection delimited in article two of this Law:
(…)
Three. The disclosure of facts relating to the private life of a person or family that affect its reputation and good name, as well as the disclosure or publication or the contents of letters, memoirs or other personal writing of an intimate nature.
Four. The disclosure of private details about a person or family, obtained through the professional or official activity of the person disclosing them. (…)
Seven. The accusation of deeds or showing value judgements through actions or expressions that, in any way, harm the dignity of the other person, by undermining his/her reputation or attacking his/her self esteem. (…)
Article eight.
One. In general, actions that are authorised or agreed by the competent Authority in accordance with the Law shall not be considered to be unlawful interference, or when a relevant historical, scientific or cultural interest is predominant.
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DESCRIPTIVE INSTRUMENTS
Inventory
RELATED DESCRIPTIVE UNITS
Ignacio Aranguren Gallués
SUPPLEMENTARY DOCUMENTATION
Interview
PUBLICATION NOTE
News of the donation
DESCRIPTORS
Autor teatral, Escritor, Director de escena.